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CIMA da Conegliano
Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,

 

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CIMA da Conegliano The Madonna and Child with Sts John the Baptist and Mary Magdalen oil painting

Painting ID::  83563

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CIMA da Conegliano
The Madonna and Child with Sts John the Baptist and Mary Magdalen
Date between 1511(1511) and 1513(1513) Medium Oil on wood Dimensions Height: 167 cm (65.7 in). Width: 110 cm (43.3 in). cje
   
   
     

 

 

CIMA da Conegliano Madonna of the Orange Tree oil painting

Painting ID::  83968

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CIMA da Conegliano
Madonna of the Orange Tree
Date ca. 1495(1495) Medium tempera and Oil on panel cjr
   
   
     

 

 

CIMA da Conegliano Madonna of the Orange Tree oil painting

Painting ID::  84670

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CIMA da Conegliano
Madonna of the Orange Tree
Date ca. 1495(1495) Medium tempera and Oil on panel cjr
   
   
     

 

 

CIMA da Conegliano Coronation of the Virgin oil painting

Painting ID::  85780

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CIMA da Conegliano
Coronation of the Virgin
Date second half of 15th century Medium Oil on canvas cjr
   
   
     

 

 

CIMA da Conegliano St Christopher with the Infant Christ and St Peter oil painting

Painting ID::  85882

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CIMA da Conegliano
St Christopher with the Infant Christ and St Peter
Date between 1504(1504) and 1506(1506) Medium Oil on poplar Dimensions Height: 73 cm (28.7 in). Width: 56 cm (22 in). cjr
   
   
     

 

 

CIMA da Conegliano Incredulity of St Thomas with Bishop Magno oil painting

Painting ID::  86706

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CIMA da Conegliano
Incredulity of St Thomas with Bishop Magno
Date c. 1505(1505) Medium tempera and Oil on panel Dimensions Height: 215 cm (84.6 in). Width: 151 cm (59.4 in). cjr
   
   
     

 

 

CIMA da Conegliano Baptist and Mary Magdalen oil painting

Painting ID::  87404

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CIMA da Conegliano
Baptist and Mary Magdalen
between 1511(1511) and 1513(1513) Medium Oil on wood cyf
   
   
     

 

 

CIMA da Conegliano Madonna of the Orange Tree oil painting

Painting ID::  87819

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CIMA da Conegliano
Madonna of the Orange Tree
1495(1495) Medium tempera and Oil on panel cyf
   
   
     

 

 

CIMA da Conegliano Madonna of the Orange Tree oil painting

Painting ID::  88566

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CIMA da Conegliano
Madonna of the Orange Tree
1495(1495) Medium tempera and Oil on panel cyf
   
   
     

 

 

CIMA da Conegliano St Jerome in Wilderness Cima da Conegliano oil painting

Painting ID::  88853

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CIMA da Conegliano
St Jerome in Wilderness Cima da Conegliano
Oil on canvas transferred from panel, 48 x 40 cm Washington, National Gallery of Art Date about 1500-1505 cyf
   
   
     

 

 

CIMA da Conegliano The Annunciation oil painting

Painting ID::  89301

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CIMA da Conegliano
The Annunciation
1495(1495) Medium Tempera and oil on canvas transferred from wood cyf
   
   
     

 

 

CIMA da Conegliano Madonna of the Orange Tree oil painting

Painting ID::  89738

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CIMA da Conegliano
Madonna of the Orange Tree
1495(1495) Medium tempera and oil on panel Dimensions Height: 212 cm (83.5 in). Width: 139 cm (54.7 in). cyf
   
   
     

 

 

CIMA da Conegliano Coronation of the Virgin oil painting

Painting ID::  89976

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CIMA da Conegliano
Coronation of the Virgin
second half of 15th century Medium oil on canvas cyf
   
   
     

 

 

CIMA da Conegliano St Christopher with the Infant Christ and St Peter oil painting

Painting ID::  90039

X 
 

CIMA da Conegliano
St Christopher with the Infant Christ and St Peter
oil on poplar Dimensions Height: 73 cm (28.7 in). Width: 56 cm (22 in). cyf
   
   
     

 

 

CIMA da Conegliano Incredulity of St Thomas with Bishop Magno oil painting

Painting ID::  91176

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CIMA da Conegliano
Incredulity of St Thomas with Bishop Magno
1505(1505) Medium tempera and oil on panel cyf
   
   
     

 

 

CIMA da Conegliano The Virgin and Child with Saint Andrew and Saint Peter oil painting

Painting ID::  92760

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CIMA da Conegliano
The Virgin and Child with Saint Andrew and Saint Peter
47.7 X 39.7 cm (18.8 X 15.6 in) late 15th century or early 16th century. Medium oil on panel. cjr
   
   
     

 

 

CIMA da Conegliano The Annunciation oil painting

Painting ID::  93659

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CIMA da Conegliano
The Annunciation
1495(1495) Medium Tempera and oil on canvas transferred from wood Dimensions Height: 136 cm (53.5 in). Width: 107 cm (42.1 in). cjr
   
   
     

 

 

CIMA da Conegliano Imago Pietatis oil painting

Painting ID::  98301

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CIMA da Conegliano
Imago Pietatis
1490s Medium tempera and oil on panel Dimensions 53.5 x 38.5 cm cyf
   
   
     

 

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CIMA da Conegliano
Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,